Nov
3
8:00 PM20:00

Shamisen master Hidejiro Honjoh premieres "everything is lurking in places we least expect"

Shamisen master Hidejiro Honjoh premieres everything is lurking in places we least expect for guitar, shamisen, violin & cello (2025) at Hall60 on November 3, 2025, in Tokyo, Japan. I will be attending the rehearsals in preparation the week before prior to the performance. This will be my first time visiting Japan and I am extremely excited!

everything is lurking in places we least expect is a 14-minute mini-concerto of sorts for shamisen and very small ensemble, although the parts for the violin, cello and guitar are by no means any less virtuosic than the shamisen part! Hidejiro asked me to compose this piece for him and his ensemble over a year and a half before it was to be premiered. I was extremely excited and overly confident that I would have enough time to work on the piece over those many months, little by little. However, my life became complicated; it always becomes complicated. But this time it really was unusually and unexpectedly so. Rather than work on the piece regularly, my attention to the piece happened in periods of intense, short, concentrated bursts.

Since I had never written for shamisen before, and I am deeply moved by its fusion of instrumental and vocal traditions, it was important to me that the human voice become an important part of the piece. The timbral flexibility of the instrument is astounding, and for someone who has worked almost exclusively with Western European instruments, the privilege to begin to explore this new instrument was extremely thrilling.

Over the last few years, I have experimented with altering the tuning of strings, and this piece is no exception. The violin, cello, and guitar are all tuned in an atypical manner, with the cello having a low B string (not low C string), the violin having a low F# string (not low G string), and the guitar being tuned to harmonics from the B and F# series on the two “lowest” strings (3 guitar strings to harmonics from the low B-string series, and 3 guitar strings tuned to harmonics from the low F#-string series). The shamisen uses a traditional B-E-B tuning. The work is dedicated to Hidejiro.

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Dec
5
to Dec 7

traveling to NY to work with duoJalal in December 2025 to complete my piece "sweet"

I am finally getting my act together to “get down to business” and put all the various bits and pieces of music I have scribbled onto various notepads over the last year, and head out to NY to work with violist Kathryn Lockwood and percussionist Yousif Sheronick of duoJalal. I hope to make some real progress with my understanding of their dynamic as a viola/percussion duo. More precisely, I need to more deeply absorb all the incredible drum traditions and methods of performance that are possible that Yousif has at his disposal so that I can complete the piece I composing for the duo. I have lots of music written, but am afraid much of it is not going to sound as I imagine since my understanding of these instruments is currently quite limited; that will change.

Since Yousif has such a broad, virtuosic range of experience, it is extremely exciting to entertain the spaces between fully notated and completely improvised music for the purpose of this piece. It will be the first piece of mine that will incorporate so much improvisation back to back with notated music, and is something that I have been wanting to do for a very long time. I am most grateful to Kathryn and Yousif for trusting me to write a piece for them.

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Dec
13
7:30 PM19:30

Lydian Quartet performs "seeking all that's still unsung" on Wayland Concert Series

In addition to performing seeking all that’s still unsung (2023-2024), the Lydian Quartet will also perform F.J. Haydn’s String Quartet in C Major, Op. 33 No. 3 (“The Bird”) and Lembit Beecher’s Juniper and Birch (2024, commissioned by the Lydian String Quartet). The commission of seeking all that’s still unsung has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation. For further information, visit: https://www.lydianquartet.com/schedule-source/2024/12/13/wayland-ma-wayland-concert-series

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Apr
6
7:30 PM19:30

Lydian Quartet premieres "seeking all that's still unsung" for string quartet on April 6, 2024

The Lydian Quartet will premiere “seeking all that’s still unsung” on April 6, 2024 in Slosberg Hall on the Brandeis University campus. “seeking all that’s still unsung” is inspired by the world that surrounds us in its "current" present, both visible and acknowledged and unseen and unacknowledged. It contemplates what is missing from our world because the passage of time has brought about evolution, extinction, forgetting, erasure, and obliteration. Using source material from The Sacred Harp songbook and a speech by Greta Thunberg, the work imagines what changes are possible as we move into our uncertain future. This work was made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation.

Performance info can be found at: https://www.lydianquartet.com/schedule-source/2023/11/11/waltham-ma-brandeis-university-hz46e

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Mar
5
8:00 PM20:00

Pianist Genevieve Lee performs "Famous Last Words" on PianoSpheres on March 5, 2024

Pianist Genevieve Feiwen Lee will present “La Voix du Pianiste” or Voice of the Pianist, in Thayer Hall at the Colburn School.  Ms. Lee will perform a program that features speaking and singing with keyboards. Performing on piano, toy piano, harpsichord, and other percussion instruments, Genevieve will be utilizing her voice in three languages. Works will include world premieres by Chris Castro and Livia Malossi Bottignole, plus Gao Ping’s Daydreams, and Kurt Rohde’s Famous Last Words for speaking keyboard player and assorted items.

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Feb
3
8:00 PM20:00

Lyris Quartet premeires new work by Chris Castro with Sharon Harms, + "inside voice" by Rohde

The LYRIS QUARTET, described as “radiant… exquisite… and powerfully engaged” by Mark Swed of the LA Times, is one of the most sought after ensembles on the west coast. Equally at home with standard quartet repertoire and the music of today, Lyris has premiered countless works and has been involved in numerous commissions by some of the most exciting composers of our time. Members of the quartet have won top prizes at the Tchaikovsky International Competition and Aspen Music Festival and have collaborated with renowned artists Natalia Gutman, David Geringas, Martha Argerich, Alban Gerhardt, Boris Pergamenschikov, Midori, Guillame Sutre, Myung-Whun Chung, Glenn Dicterow and Richard Stoltzman.

Chris Castro’s song cycle Cançoes dos Desassosego is the centerpiece of this program featuring guest soprano Sharon Harms, praised as “superb”, “luscious-toned”, “extraordinarily precise and expressive”, and “dramatically committed and not averse to risk” by the New York Times.  

String quartets by Caroline Shaw, the youngest composer to ever be awarded the Pulitzer Prize, and Kurt Rohde,  a Bay Area composer commissioned by Eclipse, round out this diverse program featuring living composers.

Performance info can be found at: https://tickets.chapman.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=D14A5E06-C88C-4F1E-9770-A2182A3977AB

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Feb
2
7:30 PM19:30

Lyris Quartet premeires new work by Chris Castro with Sharon Harms, + "inside voice" by Rohde

The LYRIS QUARTET, described as “radiant… exquisite… and powerfully engaged” by Mark Swed of the LA Times, is one of the most sought after ensembles on the west coast. Equally at home with standard quartet repertoire and the music of today, Lyris has premiered countless works and has been involved in numerous commissions by some of the most exciting composers of our time. Members of the quartet have won top prizes at the Tchaikovsky International Competition and Aspen Music Festival and have collaborated with renowned artists Natalia Gutman, David Geringas, Martha Argerich, Alban Gerhardt, Boris Pergamenschikov, Midori, Guillame Sutre, Myung-Whun Chung, Glenn Dicterow and Richard Stoltzman.

Chris Castro’s song cycle Cançoes dos Desassosego is the centerpiece of this program featuring guest soprano Sharon Harms, praised as “superb”, “luscious-toned”, “extraordinarily precise and expressive”, and “dramatically committed and not averse to risk” by the New York Times.  

String quartets by Caroline Shaw, the youngest composer to ever be awarded the Pulitzer Prize, and Kurt Rohde,  a Bay Area composer commissioned by Eclipse, round out this diverse program featuring living composers.

Performance info can be found at: https://www.collageartculture.org

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Jan
30
8:00 PM20:00

Tuesdays @ Monk Space: Lyris Quartet plays WORLD PREMIERE of new work by Chris Castro with Sharon Harms, + "inside voice" by Rohde

The LYRIS QUARTET, described as “radiant… exquisite… and powerfully engaged” by Mark Swed of the LA Times, is one of the most sought after ensembles on the west coast. Equally at home with standard quartet repertoire and the music of today, Lyris has premiered countless works and has been involved in numerous commissions by some of the most exciting composers of our time. Members of the quartet have won top prizes at the Tchaikovsky International Competition and Aspen Music Festival and have collaborated with renowned artists Natalia Gutman, David Geringas, Martha Argerich, Alban Gerhardt, Boris Pergamenschikov, Midori, Guillame Sutre, Myung-Whun Chung, Glenn Dicterow and Richard Stoltzman.

Chris Castro’s song cycle Cançoes dos Desassosego is the centerpiece of this program featuring guest soprano Sharon Harms, praised as “superb”, “luscious-toned”, “extraordinarily precise and expressive”, and “dramatically committed and not averse to risk” by the New York Times.  

String quartets by Caroline Shaw, the youngest composer to ever be awarded the Pulitzer Prize, and Kurt Rohde,  a Bay Area composer commissioned by Eclipse, round out this diverse program featuring living composers.

Performance info can be found at: https://brightworknewmusic.com/event/lyris-plays-castro/

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Sep
9
6:30 PM18:30

Premiere of "Newtown Odyssey" on Sept. 9 & 10 on Newtown Creek

After three years in development, Newtown Odyssey will be premiered on Newtown Creek on Sept. 9 & 10, 2023. With support from Creative Capital, the NEA and the Puffin Foundation, Newtown Odyssey is a floating opera that takes place on an industiral waterway. Performers will sing aboard floating stages, while the audience observes from along the shore and in boats, connecting them physically to the unique site of Newtown Creek. The opera is a collaboration between musician Kurt Rohde, writer Dana Spiotta, and artist Marie Lorenz. Performers include Sharon Harms, Charlotte Mundy, Kyra Sims, Joshua Perry, Laura Cocks, Levy Lorenzo, and Kurt Rohde.

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Oct
2
8:00 PM20:00

Genevieve Feiwen Lee premieres "Famous Last Words"

Pianist Genevieve Feiwen Lee premieres Famous Last Words for speaking keyboard player on fables of Paul Mann (2016-2021) at Pomona College, commissioned by the Fromm Music Foundation of Harvard University. This evening length work sets five original fables by poet Paul Mann. The work is theatrical in nature, and asks Lee to multi-task not only as a musician, but as a storyteller and actor.

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Sep
10
4:00 PM16:00

Charlotte Mundy premieres Gaia|Gyre|Siren from Newtown Odyssey at Riverside Park

Artist Marie Lorenz and writer Dana Spiotta are working with Rohde to create a water opera called Newtown Odyssey, funded with the support of a Creative Capitol grant. Singer Charlotte Mundy premieres Gaia|Gyre|Siren from Newtown Odyssey at Re:Growth: A Celebration of Art, Riverside Park and the New York Spirit in a dynamic outdoor performance on the water.

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New Words & New Music with Voice
May
21
12:05 PM12:05

New Words & New Music with Voice

Works for voice and piano, with music composed by UC Davis graduate students in Music to texts written by UC Davis graduate students in Creative Writing, unless otherwise noted—

Trey Makler
Emily Sullivan

Orkun Akyol
Daniel Godsil

The concert program is coordinated by UC Davis Professor of Music Kurt Rohde.

Free (a Shinkoskey Noon Concert)

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Farewell Tour: Part 3
May
7
12:05 PM12:05

Farewell Tour: Part 3

Program to be announced.

A multiyear commissioning project that is modeled after Cher’s decades-long farewell tours, Kurt Rohde’s Farewell Tour—Parts 1, 2, 3, 4, 5, and 6—commissions new works by the most gifted composers who, Rohde feels, are underrepresented and deserve a wider audience, while also broadening the repertoire for viola. His project’s anticipated year of completion is 2028, at which time he will retire from playing in performance and donate his instrument to some talented whippersnapper who wants to play viola.

Free (a Shinkoskey Noon Concert)

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